Sandro Botticelli
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Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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unknow artist
Detail from a sixteenth-century Flemish Tapestry showing how the handgun achieved a mastery over armoured cavalry in the battle of Pavia

ID: 41423

unknow artist Detail from a sixteenth-century Flemish Tapestry showing how the handgun achieved a mastery over  armoured cavalry in the battle of Pavia
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unknow artist Detail from a sixteenth-century Flemish Tapestry showing how the handgun achieved a mastery over  armoured cavalry in the battle of Pavia


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unknow artist

  Related Paintings of unknow artist :. | The Adoration of the Magi | Arab or Arabic people and life. Orientalism oil paintings 345 | Portrait of a Lady,Traditionally known as Agnes Fermor | Still life floral, all kinds of reality flowers oil painting 210 | Still life floral, all kinds of reality flowers oil painting 188 |
Related Artists:
Angelo Bronzino
(November 17, 1503 - November 23, 1572), usually known as Il Bronzino, or Agnolo Bronzino (mistaken attempts also have been made in the past to assert his name was Agnolo Tori and even Angelo (Agnolo) Allori), was an Italian Mannerist painter from Florence. The origin of his nickname, Bronzino is unknown, but could derive from his dark complexion, or from that he gave many of his portrait subjects. Bronzino was born in Florence. According to his contemporary Vasari, Bronzino was a pupil first of Raffaellino del Garbo, and then of Pontormo. The latter was ultimately the primary influence on Bronzino's developing style and the young artist remained devoted to his eccentric teacher.
Joseph Bidauld
Carpentras(Vaucluse)1758-Montmorency (Val d'Oise)1846 French painter. He was apprenticed in Lyon for six years with his brother Jean-Pierre-Xavier Bidauld (1745-1813), a landscape and still-life painter. Subsequently, they left Lyon to travel together in Switzerland and Provence. In 1783 he moved to Paris, where he met Joseph Vernet (from whom he received valuable advice), Joseph-Siffred Duplessis and Jean-Honor? Fragonard. In 1785 he went to Rome with the assistance of Cardinal de Bernis and his patron, the dealer and perfumer Dulac. He stayed there for five years, travelling through Tuscany, Umbria and Campania and painting such works as Roman Landscape (1788; Basle, Kstmus.). Bidauld was closely involved with the circle of French Neo-classical painters in Rome in the 1780s. He was friendly with Louis Gauffier, Nicolas-Antoine Taunay and especially with Guillaume Lethiere, who became his brother-in-law and with whom he occasionally collaborated. On his return to Paris in 1790 he travelled extensively in France,
Johann Ernst Heinsius
German, 1740-1812






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