Sandro Botticelli
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Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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unknow artist
Detail from a sixteenth-century Flemish Tapestry showing how the handgun achieved a mastery over armoured cavalry in the battle of Pavia

ID: 41423

unknow artist Detail from a sixteenth-century Flemish Tapestry showing how the handgun achieved a mastery over  armoured cavalry in the battle of Pavia
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unknow artist Detail from a sixteenth-century Flemish Tapestry showing how the handgun achieved a mastery over  armoured cavalry in the battle of Pavia


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unknow artist

  Related Paintings of unknow artist :. | St stephen window | Classical hunting fox, Equestrian and Beautiful Horses, 103. | Ladies as am mounting from sang | Observation of 1500 adverse obor disembark Magellan with foljeslagare pa Mactan in Filippinerna | Hullo, Largess, A Harvest Scene in Norfolk |
Related Artists:
Evert Oudendijck
(1650, Haarlem - 1695, Haarlem), was a Dutch Golden Age painter. According to Houbraken he painted stag hunts and other hunting scenes in landscapes, along with the artist "Drossaart". He was the father of Adriaen Oudendijck. According to the RKD he was registered in the Haarlem Guild of St. Luke in 1663 as the pupil of Adriaen van Ostade which would make him about 15 years old at that time.His registration as a member of the guild in 1646 is therefore impossible. Though Evert Oudendijk is listed in the Haarlem guild register as a member in 1646, he probably became a member in 1664 (a year suspiciously lacking member registrations), like other members mistakenly registered in 1646, such as Evert Collier and Egbert van Heemskerck. He is listed two other times in the Haarlem guild; in 1663 (listed as Ostade's pupil "Evert Adriaanszen van Oudendijck") and as painter in 1670.
GRIMMER, Abel
Flemish Baroque Era Painter, ca.1570-C.1619 Son of Jacob Grimmer. He married Catharina Lescornet on 29 September 1591 and in 1592 became a master in the Antwerp Guild of St Luke. He is principally known for his numerous small paintings of country scenes, sometimes with a biblical theme, which often form part of a series of the Four Seasons or the Months of the Year. Some of these paintings were inspired by or even copied from prints by Pieter Bruegel I and Hans Bol, both of whose work strongly influenced Abel, even more so than did the example of his father's work, which was also an important source of inspiration. Abel's series of the Twelve Months (1592; Montfaucon-en-Velay, Haute-Loire, Chapelle Notre-Dame) are exact copies of Adriaen Collaert's prints after Hans Bol (Hollstein: Dut. & Flem., iv, nos 523-34), published by Hans van Luyck ( fl c. 1580-85) in 1585. Spring and Summer (Antwerp, Kon. Mus. S. Kst.) are almost exact copies of two prints by Pieter van der Heyden
Thomas Brower
British 1830-1896






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